JamKazam: Playing Chamber Music Over the Internet – For Real!

Left to Right: Valerie Matthews, Susan Alexander, Michael Casassa, Mike Garrahan

Is there a big, depressing hole in your life where playing music with other people used to be?  There was in mine, but in April I was fortunate enough to be pointed to JamKazam, and I’m now as busy playing chamber music as I was pre-pandemic. I know, you’re skeptical.  But unlike Zoom and Acapella, JamKazam’s mission in life is to enable musicians at different locations across the Internet to play music together in real time.  Thanks to this platform, I can be teleported from DC to Tennessee to play piano trios Monday morning, and easily be back in time to virtually visit Colorado for Bach arias with a singer and violinist Monday evening.

I’ve greatly enjoyed meeting new people and reading great music with them, but what I love most of all as a chamber musician is plumbing the depths of a piece through regular rehearsal and coaching.  When my regular JamKazam quartet first formed, I wasn’t sure whether this level of seriousness would truly be possible.  Would we actually be able to rehearse?  We were pleasantly surprised to find that, although there was some initial awkwardness about starting and stopping (to conserve bandwidth we work using audio only), and there were many jokes about mind-reading (we sometimes call ourselves the Carnac Quartet), as experienced chamber players, it was really not that hard to adapt our ears and rehearsal techniques to this medium.  Eventually we felt good enough about our process to work towards eventual performance.  We lured a coach to join us– his first time on JamKazam– and had an excellent session.  It was edifying for us, and a game-changer for him: “I never would have thought I would get to coach a live chamber ensemble from my living room, or even just be able to listen to live music-making from there either.  I didn’t realize how much I missed live music making until afterwards, and this opportunity has left me wanting more. “

JamKazam was originally designed with rock bands in mind, and today there are just a few of us classical musicians out there. Our numbers are growing with each skeptic turned evangelist though, and I can envision the day when there is a vibrant on-line chamber music community– reading, rehearsing, refining, and performing together.  

In service of that future I’ve enlisted the help of DC Chamber Musicians, a Washington-area chamber music organization, to allow me to spread word about JamKazam more widely and to create some needed infrastructure. While JamKazam has many virtues, documentation has not been one of them, and the tool’s ability to search for compatible musicians is very rudimentary. 

For a number of years, DC Chamber Musicians hosted a Directory of JamKazam Musicians. However, the new ACMP website’s Directory of Chamber Musicians has taken on this function.

To find players on JamKazam: Search the ACMP Directory of Chamber Musicians. Open “Advanced Search,” and then open the dropdown menu for “Online Playing Services.” Then select JamKazam.

I have also posted this Guide to JamKazam. It includes step-by-step instructions for JamKazam set-up, complete with screen shots for each step of the process. Click the highlighted blue “Next” button at the bottom of each page to be directed through the process:

Achieve good audio quality

Play in a session

Find people to play with 

Additional resources

For starters, you can get JamKazam up and running with some wired headphones (you can start with a simple pair of earbuds if that is all you have) and the built-in microphone on your computer.  To reduce latency (the lag between when sound is created and when you hear it) enough to actually play with other people, you’ll need to access the Internet directly, by connecting your computer to your router with an  Ethernet cable.  If your router is far from where you like to play, Ethernet cables are inexpensive, and available in many lengths.  The FAQ – Basic gear section of the help guide has lots more information about this. 

Your experience will be better if you invest a small amount in a good microphone and an audio interface. To help defray some of this expense ACMP has cleverly negotiated a custom discount with Sweetwater!  Log into the ACMP website and visit the members-only “Member Benefits and Discounts” page for information on how to take advantage of this deal.

Here is a comprehensive list of what you will need to optimize your experience on JamKazam:

  • A computer running Windows 7 or higher or Mac OS X 10.7 or higher, 64-bit (if you have a computer more recent than 2011 or so, you’re probably fine)
  • Broadband Internet
  • A wired (Ethernet) connection to your router – if you need one, you can buy a long cable like this on Amazon. You may need an adapter, too, if your computer has no Ethernet port.
  • Wired headphones – if your cord is too short, you can buy an extension cable like this.
  • A microphone, ideally plugged into an external USB audio interface (not a complete list), and thence into your computer (but the built-in sound card could maybe work if there’s not too much latency– depends on how fast the computer does the audio processing).
  • A JamKazam account — sign up at https://www.jamkazam.com/signup
  • The JamKazam software, which you can download from https://www.jamkazam.com/downloads
  • The JamKazam server needs to be up in order to establish a session for you.

I am one of a growing group of ACMP members in the new “Technology Task Force.” My contact info and that of a number of other ACMP members prepared to offer technical support for virtual chamber music is available on the new Technology Task Force page on the ACMP website.

I hope you’ll join our growing community.  Go here to learn more about how you can use this technology to fill the big, depressing hole in your life.

Tags: 

Online chamber music

Remote chamber music

JamKazam

COVID Safe Chamber Music

Music Technology

More Articles

Around the World with ACMP’s Grants (Home Coaching and Play-in)

Read More ↗

Around the World with ACMP’s Grants (Just Play and Impresario)

Read More ↗

ACMP Member of the Month, June 2026: Yoav Segev, the flying cellist returns

It’s probably easy to spot Yoav Segev at the airport. He’s the guy in the pilot’s uniform with the cello on his back. Yoav, you see, is the Flying Cellist, a globe-trotting pilot for El Al Israel Airlines who plays chamber music during his layovers in far-off destinations. Read Bob Goetz's interview with Yoav.

Read More ↗

International Spotlight: Kristin Saltonstall in Panama

Kristin Saltonstall comes from a longstanding ACMP family and has been a member of ACMP for as long as she can remember. As a molecular ecologist, she works for the Smithsonian Tropical Research Institute in Panama, where she has forged a new musical life for herself and enjoys the natural beauty that Panama has to offer.

Read More ↗

Springtime Extravaganza Light Music Orchestra on May 9, 2026, in Berlin-Karlshorst

Fifteen musicians followed Gudrun Schnellbacher's invitation to a very special kind of play-in – to play in the Springtime Extravaganza Light Music Orchestra. Read the article in English or in German.

Read More ↗

Remembering Pianist Fontaine Laing

Janet White Remembers her friend, and longtime ACMP member pianist Fontaine Laing.

Read More ↗

News of Note 2026

It’s that time of year again! The web version of the 2026 News of Note is live, featuring updates from the past our Strategic Plan, and some fun extras, including everyone’s favorite: a new puzzle!

Read More ↗

How to Find Players and Build your ACMP Community

There is a time in every player’s musical life when you realize that you want to play more, but not quite sure with whom or where to even begin. Here are some ways to get started and begin building a community around you.

Read More ↗

Member of the Month: Amit Rotem

By day, Amit Rotem works as a child psychiatrist specializing in youth addictions at the Centre for Addiction and Mental Health in Toronto. When he is not there, or with his family, there is a good chance he is playing his cello, with as many willing chamber partners as the calendar will allow!

Read More ↗

2026 Worldwide Play-In Events

ACMP’s Official Worldwide Play-In Weekend takes place from Friday, May 15 through Sunday, May 17, 2026, but we are encouraging more play-ins throughout the month of May which is National Chamber Music Month in the United States. Keep checking this article for links to May play-ins!

Read More ↗

Find Your Musical Community This Spring at 92NY

For many musicians, chamber music is as much about connection as it is about repertoire—the shared experience of listening, collaborating, and discovering new musical perspectives together. At the 92NY School of Music, two chamber music programs offer welcoming entry points into that experience this spring: Chamber Music Reading and Chamber Music Coaching & Performance. Whether you’re picking up your instrument again, looking to meet fellow players, or hoping to deepen your ensemble work, both programs are designed to bring musicians together in a supportive and engaging environment.

Read More ↗

ACMP’s debut in Argentina: a cello gathering in Buenos Aires

Cellist Andrew Brush organized ACMP's first event in Argentina: an all-cello play-in, guided by Chilean professional cellist Denisse Almonacid in Buenos Aires.

Read More ↗

Jan Magnus, cellist – Retirement can wait. Chamber music can’t

At 76, Jan Magnus is still teaching in Amsterdam and making chamber music wherever he goes, with no plans of slowing down.

Read More ↗

Music on the Menu in Cuenca, Ecuador

New ACMP members played a café concert in Cuenca, Ecuador.

Read More ↗

New Video: Turning ink blots into music – a discussion on the meaning and madness of notation

Cal Wiersma and his willing ACMP member partners explored the process of decoding musical notation to begin to answer that eternal question – how do I turn these dots, dashes, squigglies, slurs, round blotches and straight lines into MUSIC? How does one decide what to make of all of this maddeningly imprecise notation? Watch the video of the live-streamed class.

Read More ↗

Henry, Gideon, Joan and me

ACMP Board Chair and violinist Bob Goetz reminisces about a deeply moving early experience with ACMP.

Read More ↗

Meet the Musician: Flutist Svjetlana Kabalin (Video)

Watch Stephanie Griffin's interview and Q&A with Svjetlana Kabalin, Artistic Director of the Sylvan Winds, a wind quintet she has led for over 46 years.

Read More ↗

What I learned from wind players

ACMP Executive Director Stephanie Griffin reflects upon her personal experiences working with wind players as a violist and composer. All of us musicians can learn so much by listening to and especially playing with musicians who produce sound in a completely different way than we do!

Read More ↗

Interview with Joe Wilson and Edward Guo

ACMP member flutist Joseph Wilson has been actively adding to the chamber music repertoire for flute, by making original arrangements and transcribing parts and scores from manuscript, and uploading them to IMSLP. Watch the video of him in conversation with Stephanie Griffin and IMSLP founder Edward Guo.

Read More ↗

Put a flute on it! Arrangements of Haydn string quartets for flute and string trio

Looking for top-quality repertoire with flute and strings for your ACMP Haydn Challenge gathering? Put a flute on the opus 20 string quartets. Listen to the beautiful recording by the Campanile Ensemble with Hungarian Early Music flutist Ildikó Kertész.

Read More ↗

Load More

 

All Articles By