When it comes to chamber music, ACMP pitches a big tent, from players just starting out to those rediscovering a passion for the music they played on their younger days. But ACMP’s membership also includes a thriving community of professionals — highly trained musicians who discover a community in ACMP that is hard to find elsewhere.
Grace Shepard is one such professional. After earning her doctorate in piano performance from the University of South Carolina, she moved to South Florida to build her post-graduate life. From her base in Lighthouse Point, she has a private studio and pursues a range of projects, including an upcoming celebration of Jane Austen’s 250th anniversary with piano performances and a lecture on how the keyboard influenced Austen’s novels.
When she is not teaching or working on her projects, Grace seeks out chamber music in many forms, including Irish music, as she stretches her musical muscles.
Grace joined ACMP this year and has joined the North American Outreach Council, serving the ACMP community in South Florida.
We caught up with her recently and talked to her about her musical journey. — Bob Goetz
You are a professional. How often do you play chamber music?
Since I left school, my opportunities to play traditional classical chamber music have been few and far between. I am always eager to find places to play chamber music as it’s one of my favorite things about being a musician.
In the absence of traditional ensembles, I’ve recently started playing at an Irish session and am enjoying stretching new musical muscles.
When did you start playing chamber music?
I started playing chamber music in high school, specifically during musical summer camps. It was a great way to learn more about different instruments and sightread great music.
What led you to join ACMP?
I was really interested in the opportunities, both for myself and potentially for my students. While it’s hard to create community in busy day-to-day life, chamber music always leads me to connection.
What are your three all-time favorite pieces to play?
Aaron Copland’s Piano Quartet
Anything by Beethoven
Arvo Pärt’s Spiegel im Spiegel
What is a happy chamber music moment for you?
Chamber music has done so much for me! One feeling I always enjoy is the moment in rehearsal when music starts to find its interpretive rhythm and the chemistry between players can really highlight the piece.
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