Online Early Music Master Class with Andrew Appel

Andrew Appel
Andrew Appel at the Harpsichord, photo by David Rodgers

On February 12, 2022 ACMP presented an online Early Music Masterclass with harpsichordist and conductor Andrew Appel of the Four Nations Ensemble. Two adult amateur groups from ACMP’s community in New Jersey and California (USA) played trio sonata movements by Händel, and an undergraduate Historical Performance group from the San Francisco Conservatory offered the first movement of Haydn’s String Quartet in F minor, Op. 20, no. 5. About 70 people were in the audience on Zoom, and others watched the livestream on Facebook.

Watch this video of the class to hear Andrew Appel’s period performance insights on these three musical masterpieces:

Andrew Appel on Händel and Haydn

About Andrew Appel, harpsichord & fortepiano:

Andrew Appel, Artistic Director of the Four Nations Ensemble, performs throughout Europe and the United States as soloist in many festivals including Italy’s Spoleto Festival, New York’s Mostly Mozart Festival, and the Redwoods Festival. As recitalist, Mr. Appel has performed at Carnegie and Avery Fisher Halls in New York, as well as halls from the Music Academy of the West to the Smithsonian in Washington DC. Besides his work with The Four Nations Ensemble, he has been a guest of Chatham Baroque, the Smithsonian Players, and Orpheus. He serves as harpsichordist for Opera Lafayette and has toured with several European chamber orchestras. He has enjoyed critical acclaim for his solo recording of Bach works with Bridge Records as well as his fortepiano performances of Haydn for ASV. He presently records for ASV and Smithsonian recordings.

As an educator, Appel has been called upon to create significant programs in arts education for elementary school students and professional development for teachers. Appel created a program linking the Amarillo Symphony to the public schools in that city, “Music makes the Difference.” In Chatham, New York, Appel organized festivals of culture and history for third through sixth graders while instituting “salon discussions” between the teachers of Chatham and art curators, dance historians, musicologists, and arts journalists. Both programs have made significant additions to the lives of participating school communities. With Four Nations and funding from Chamber Music America, Appel has designed and run residencies in communities around the country with kindergarten through college students, most recently in St. Cloud, MN.

As a writer, Mr. Appel has written program notes and articles for presenters around the country including Lincoln Center, New Jersey Performing Arts Center, and National Public Radio. Mr. Appel has participated in discussions on education and chamber music programming at conferences of Chamber Music America, the Association of Performing Arts Presenters, and the New York State Council on the Arts. He currently serves as President of the Board of Trustees of Chamber Music America. He has been regularly praised for pre-concert talks that contextualize the music and open areas of discovery for the audience.

A native of New York City, Appel discovered the harpsichord at 14 and began lessons with Tim Read and Igor Kipnis. First-prize winner of the Erwin Bodkey Competition in Boston, he holds an international soloist degree from the Royal Conservatory in Antwerp where he worked with Kenneth Gilbert and a Doctorate from the Juilliard School under Albert Fuller. There he has taught harpsichord and music history. Appel has also taught harpsichord, chamber music, music history and humanities courses at Moravian College, Princeton University, and New York Polytech, now a division of NYU.

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